Mutantechitecture V

(Mutante + Architecture)

I chose bamboo because it is strong but flexible, naturally waterproof and fire- resistant, and abundant but frequently unwanted (the bamboo for this project was salvaged from private owners in the process of discarding it). I utilize a variety of traditional knots to investigate speculative building techniques for this sustainable material, with particular interest in the field of public art. My goal is to inspire individuals who might perceive public sculpture as financially out-of-reach, by prototyping cost-effective and sustainable materials.

As Mutantechitecture navigates the interplay of adaptation and mutation it becomes a manifestation for the delicate dance of assimilation and resiliency inherent in my experience as a Latine artist living in Maryland. Mutantechitecture is nomadic, able to shift and adapt to different settings, some times blending in and some times sticking out, embodying the adaptability required to navigate varied environments. Just as these objects can integrate or assert their presence, so does my hybrid identity weave between spaces, absorbing diverse influences while retaining its distinct core.

As I delve deeper into this exploration, Mutantechitecture evolves not just as a personal reflection but as a shared conversation—prompting reflections on the fluidity of identity and the power of creative expression in shaping collective narratives.